the rectangular body cast raised on four cylindrical legs, each side cast with a taotie mask separated by a flange, all against a leiwen ground, the rim surmounted by a pair of upright loop handles, one interior wall cast with an inscription depicting two kneeling figures flanking a ritual vessel above a gui character; together with a copy of Shang Ritual Bronzes in the Arthur M. Sackler Collections, Robert W. Bagley, The Arthur M. Sackler Foundation, 1987.